I seek balance from the rush of modern life in the everyday rituals of eating and drinking. These rituals are enhanced by the vessels we use; by what we see, what we pass around, what we hold and touch.
In creating my work I begin with function. I ask ‘What would I like to use in my home to enhance those everyday pleasures of eating and drinking?’. I then guide the clay to create simple forms for everyday use, hoping to create a connection between my hands and the hands of another.
Captivated instantly by the therapeutic effects of clay in 2013, I quickly appreciated the learning opportunities it offered, both creatively and technically.
I work from my garden studio in Brighton which gives me the convenience to juggle family commitments and my work .
Taking inspiration from both the natural and manmade environment, I then mark the clay before the final firing. I’m currently exploring oxides, dark slip, found clay and local ash.
Wild, natural elements and their affect on found objects give me a starting point for inspiration. Rusted metal, flaking paint, wood that has been smoothed by the sea, or polished from being touched by human hands over thousands of years. The tattooing of urban environments in the form of graffiti. Stormy skies, shapes of machinery and mechanical parts. Everywhere I look I see elements I want to use somewhere, somehow in my work.
The Set restaurant
33 Regency Square
Exhibitions & Open Houses
Cowshed Collective @ Lewes Art Wave